Used sabian radia cup chime2/17/2024 ![]() “The one that’s on my kit now is one of the Bubinga ones with the Mike Portnoy ambigram. It’s almost like having two snares in one. So you can switch it from song to song or within the same song. So instead of being just on or off you can switch it between a tight or loose or off setting. That was one of the unique features – having the three-way throwoff. “ was something I came up with about 20 years ago when the snare came out. (Image credit: Mike Ainscoe) Tama Mike Portnoy Melody Master snare “That kind of support is really important in the relationship between an artist and their company, so I value that.” Prev of 4 Next Prev of 4 Next They get me whatever I need, whenever and wherever I need it. Ever since I signed on as an endorser in the mid-90s, they have treated me with so much respect. “But the other thing is the relationship. I’ve been playing them my whole life, and I’m just so accustomed to the feel and look of everything that they make. ![]() I’ve always loved their drums and hardware, the durability. Other than that I’ve been with them pretty faithfully all this time, I even have their logo tattooed on my arm, I’m a lifer! “So, yeah, I’ve been with them for 35 years with the exception of a couple of years in the early 90s when I played another brand. I’ve been with Tama pretty faithfully all this time, I even have their logo tattooed on my arm – I’m a lifer I guess most people choose their brands based on their favourite drummers, and back then my favourite drummers were Neil Peart who was playing Tama at the time, Bill Bruford, Simon Phillips and Stewart Copeland, so I wanted to play Tama. I bought my first Tama kit when I was a teenager in high school. “I’ve been playing Tama for 35 years now. I’m always heels-up, and my toe is usually around halfway up the pedalboard Tama So I’m very open to trying different things – birch/bubinga, maple, or whatever else.” “I’m very open to trying different things, and being that I play in so many different bands with different configurations in different countries, there have been times where I’ve had to use a supplied kit. But to be honest, I’m not one of those people who’s very anal about different woods and different types. “For me, Bubinga strikes me as a very warm sound, which I like. ![]() The gong drum on the right, the Octobans on the left, three rack toms, three floor toms, it’s a pretty consistent big kit. ![]() “We’ve changed a few things here and there, but for the most part it’s been pretty consistent. Since then I’ve used it with Twisted Sister, and last year on the Shattered Fortress tour. “The first time I used it was with Adrenaline Mob back in about 2012. It has been through several different incarnations. It’s a Bubinga kit with a mirrored finish. “I call it either the Apollonian Monster or The Kit of Apollo, I haven’t decided on the name for it. Sons Of Apollo Kit – Tama Starclassic Bubinga If you’ve ever thought your load-in was tough, set your flight cases to stunned. “It’s not just there to look cool, everything has a use or a purpose at some point in the songs.”Ī long-term endorsee of the brands he plays, Mike’s setups are ever-evolving around a core setup, so we took the chance to take a look around during SOA’s recent European tour. “Everything in my kit gets used,” Mike tells us. His latest – armed for prog-metal supergroup Sons Of Apollo – is no different. From his hulking acrylic ‘Mirage Monster’ to the equally huge ‘Siamese Monster’, Portnoy has always surrounded himself with an array of toms, effects cymbals, percussion and more. Mike Portnoy has long been known for his love of big kits.
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